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Rematerializing Shakespeare

Authority and Representation on the Early Modern English Stage

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To 'rematerialize' in the sense of Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage is not to recover a lost material infrastructure, as Marx spoke of, nor is it to restore to some material existence its priority over the imaginary. Indeed, this collection of work by some of the most highly-regarded critics in Shakespeare studies does not offer a single theoretical stance on any of the various forms of critical materialism (Marxism, cultural materialism, new historicism, transversal poetics, gender studies, or performance criticism), but rather demonstrates that the materiality of Shakespeare is multidimensional and consists of the imagination, the intended, and the desired. Nothing returns in this rematerialization, unless it is a return in the sense of the repressed, which, when it comes back, comes back as something else. An all-star line-up of contributors includes Kate McLuskie, Terence Hawkes, Catherine Belsey and Doug Bruster.


Titel: Rematerializing Shakespeare
Autoren/Herausgeber: B. Reynolds, W. West (Hrsg.)
Ausgabe: 2005

ISBN/EAN: 9781403991201

Seitenzahl: 230
Format: 21,6 x 14 cm
Produktform: Hardcover/Gebunden
Gewicht: 460 g
Sprache: Englisch

CATHERINE BELSEY University of Cardiff, UK
DOUGLAS BRUSTER University of Texas, Austin, USA
HUSTON DIEHL University of Iowa, USA
JOHN DRAKAKIS University of Stirling, UK
JONATHAN GIL HARRIS George Washington University, USA
TERENCE HAWKES Cardiff University, UK
DAVID HILLMAN Cambridge University, UK
D.J. HOPKINS Washington University, USA
ANTHONY KUBIAK University of California, Irvine
KATE MCLUSKIE University of Southampton, UK - Newsletter
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